SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Cumberland"/1) | (@(roleclean,performerclean) "Mr Cumberland")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4305 matches on Event Comments, 1148 matches on Performance Comments, 631 matches on Author, 535 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Concert

Entertainment: Divine Musick in Praise of Religion and Vertue-; both Vocal and instrumental, with new Anthems compos'd by Mr Blow; an Oration by Mr Collier; Pieces by Mr Tate, her Majesty's Poet Laureat. The edition of 1702 lists: The Introductory Poem Upon the Reformation of Poetry-Mr Tate Poet-Laureat to her Majesty; The First Anthem-, Compos'd by Dr Blow, and Sung in Westminster-Abbey, at Her Majesty's Coronation; The Oration-J. Collier/M.A.; The Second Anthem, Compos'd by Dr Blow: Te Deum Laudamus-; A Poem in Praise of Virtue- , Written by Mr Tate

Event Comment: This play is alter'd by Mr Cumberland was very well receiv'd Mr & Mrs Barry play'd very well Alcibiades was perform'd by Mr Crofts being his first appearance upon any Stage bad figure bad voice & Play'd bad (Hopkins Diary). New Scenes, Decorations &c. Mr Crofts-a stationer in the Temple (Winston MS 10). Theatrical Review, 4 Dec.: We think ourselves oblig'd to declare that this gentleman (Crofts), by no means answered the expectations we had formed, from the accounts we had heard of him.--His voice is not bad, though it is not much above the level of common conservation; --his deportment is aukward and void of grace to an extreme; and he labors under the disadvantage of having a face destitute of expression. His gestures are extremely ungraceful, and the whole of his execution is glaringly untutored, and misconceived. His persons is very ill formed, and therefore it makes greatly against him, especially as he is the representative of Alcibiades, who was the handsomest man in all Athens, and we never remember any one's attempting to set out as a capital performer with so few requisites for the support of such an undertaking as this gentleman appears to have. Paid Dr Nares & Mr Cooke's 8 boys in the Garter, 12 nights (30th ult. incl.) #36; Master Brown 7 nights (2nd inst. incl.) #2 12s 6d.; Licence for Timon, #2 2s. (Treasurer's Book). [Larpent MS 328 of Cumberland's Timon, is one of the earliest to include scenic descriptions: "A Hall in Timon's House. The Flat Scene represents stately Folding Doors. Scene two, the Back scene is hastily drawn back and discovers a magnificent Levee Room or Salon. &c."] Receipts: #243 1s. (Treasurer's Book)

Performances

Mainpiece Title: Timon Of Athens

Related Works
Related Work: Timon of Athens Author(s): Richard Cumberland

Afterpiece Title: The Musical Lady

Event Comment: This Comedy is written by Mr Cumberland but I think inferior to his other Productions was tolerably well receiv'd but a most excellent Epilogue was Written by Mr G. & Spoken by Mrs Abington which gave a great Lift to the Play Uncommon Applause to the Epilogue (Hopkins Diary). [Macmillan's note from Kemble differs slightly in wording.] Paid Mr Lauchery per order #1 1s. (Treasurer's Book). [From the Westminster Magazine, Dec. 1774: We cannot think Mr Cumberland has courted the Comic Muse in this play so successfully as in the West Indian, and the rest of his comedies. His language is unexceptionably good; he is often as witty as Congreve, as easy as Vanbrugh, and as satirical as Wycherly. But language alone will not do. The plot is ill conducted.] Receipts: #243 6s. (Treasurer's Book)

Performances

Mainpiece Title: The Choleric Man

Related Works
Related Work: The Choleric Man Author(s): Richard Cumberland

Afterpiece Title: Hob in the Well

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland, altered by the author from his The Country Attorney. Prologue and Epilogue probably by Cumberland. Larpent MS 828; not published; synopsis of plot in Universal Magazine, May 1789, p. 267]: With new Dresses, &c. Receipts: #165 6s. 6d. (155.5.6; 10.1.0)

Performances

Mainpiece Title: A School For Widows

Related Works
Related Work: A School for Widows Author(s): Richard Cumberland

Afterpiece Title: The Highland Reel

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland. Prologue and Epilogue by the author (Knapp, 269, 221)]: With new Dresses, &c. Morning Chronicle, 12 Oct. 1795: This Day is published First Love (2s.). Receipts: #266 7s. 6d. (205.4.0; 52.2.0; 9.1.6)

Performances

Mainpiece Title: First Love

Related Works
Related Work: First Love Author(s): Richard Cumberland

Afterpiece Title: The Adopted Child

Event Comment: This New Comedy [Mainpiece] written by Mr Cumberland receiv'd with the greatest applause imaginable particularly Mr Moody's part. He play'd finely--it will have a great run (Hopkins Diary). New Scenes, Dresses, Decorations, &c. (Winston MS 10). [A six and one-half column review of the plot appeared in the Gentleman's Magazine for Feb. 1771.

Performances

Mainpiece Title: The West Indian

Related Works
Related Work: The West Indian Author(s): Richard Cumberland

Afterpiece Title: Daphne and Amintor

Event Comment: This farce was wrote by Mr Cumberland & receiv'd with Applause (Hopkins Diary). [Larpent MS 365, suggests Sapling was written for Weston.] Paid Mr Lacy Frederick for sattin #15 10s. 6d. (Treasurer's Book). Receipts: #205 10s. (Treasurer's Book)

Performances

Mainpiece Title: King John

Afterpiece Title: The Note of Hand; or, Trip to Newmarket

Related Works
Related Work: The Note of Hand; or, Trip to Newmarket Author(s): Richard Cumberland
Event Comment: Author's Day. Books of the Comedy to be had at the Theatre. N.B. The Author has generously given the profits of this day to a Fund, lately establish'd, by the Performers of the above Theatre, for the Maintenance of Decayed Actors and their Families. Public Advertiser, 3 Feb. 1766: The Performers of Covent Garden Theatre return their sincere thanks to Mr Cumberland for his generous donation of the profits of the 9th performance of The Summer's Tale, amounting to #74, for use of the newly established Theatrical Fund

Performances

Mainpiece Title: The Summer's Tale

Related Works
Related Work: The Summer's Tale Author(s): Richard Cumberland

Afterpiece Title: The Upholsterer

Dance: I: Rural Love, as17651115; II: The Garland, as17651003

Event Comment: This Comedy was written by Mr Cumberland was very well receiv'd & great Applause but it will not be so Successful as the West Indian was (Hopkins Diary). New Scenes and Dresses for the Mainpiece. [See Theatrical Review, 20 Jan. See also account in Town and Country Magazine (Theatre No. XXXIII). Larpent MS 329 again includes scene description by the author: "Hall in Lord Abberville's Housev with a staircase seen through an arch in the Flat."] Receipts: #248 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Fashionable Lover

Related Works
Related Work: The Fashionable Lover Author(s): Richard Cumberland

Afterpiece Title: The Lyar

Event Comment: Benefit for Henderson. Part of the Pit will be laid into the Boxes. Mainpiece [1st time; T 5, by Richard Cumberland. Text, which assigns no parts, 1st published in his Posthumous Dramatic Works, Vol. II (1813), under the title of Alcanor]. Public Advertiser, 5 Mar.: Tickets to be had of Henderson at his house in Buckingham-street, York-buildings

Performances

Mainpiece Title: The Arab

Performance Comment: Principal Characters by Henderson, Wroughton, Hull, Fearon, Thompson, Cubitt, Lewis; Mrs Bates, Miss Younge. [Partial cast suggested by Genest, VI, 360: Alcanor-Henderson; Barzilla-Wroughton; Halak-Hull; Sameas-Fearon [which Genest misprints "Farren"]; Herodian-Lewis; Augusta-Mrs Bates [so also Morning Post, 10 Mar.]; Glaphyra-Miss Younge. Text adds: Serapion, Affghar; Mariamne.] Prologue by the Author spoken by Henderson. [In his Memoirs, II, 208, Cumberland prints an Epilogue, written by himself, which he "presumes" was spoken, and states the speaker to have been Miss Younge.] hathi. Mariamne.] Prologue by the Author spoken by Henderson. [In his Memoirs, II, 208, Cumberland prints an Epilogue, written by himself, which he "presumes" was spoken, and states the speaker to have been Miss Younge.] hathi.
Related Works
Related Work: The Arab Author(s): Richard Cumberland

Afterpiece Title: Rosina

Dance: As17841116

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland. 1st printed as above. Authors of Prologue and Epilogue unknown]. Receipts: #159 17s. (151.10; 8.7)

Performances

Mainpiece Title: The Eccentric Lover

Performance Comment: Principal Characters-Lewis, Quick, Holman, Munden, Fawcett, Murray, Knight, Whitfield, Waddy, Simmons, Rees, Curties, Miss Betterton, Mrs Pope, Mrs Gilbert, Mrs Mattocks. [Cast from Times, 1 May: Sir Francis Delroy-Lewis; Peter Crowfoot-Quick; Fenton-Holman; Admiral Delroy-Munden; Doctor Crisis-Fawcett; Gangrene-Murray; Gabriel-Knight; Sir Henry Netterville-Whitfield; Ostrich-Waddy; Tom Transit-Simmons; John Seagrave-Rees; Admiral's Servant-Curties; Eleanor de Ferrars-Miss Betterton; Constantia-Mrs Pope; Widow Blandy-Mrs Gilbert; Fidelia-Mrs Mattocks; [Times does not spell all the parts as they are listed in the text, in Cumberland's Posthumous Dramatic Works, 1813, Vol. II, which assigns no parts, but in which they are spelled as above. Times erroneously assigns Doctor Crisis to Farley, and lists Mrs Mattocks' part as Mrs Crowfoot; it does not assign Gabriel or the Servant.] Prologue-Holman; Epilogue-Mrs Mattocks.
Related Works
Related Work: The Eccentric Lover Author(s): Richard Cumberland

Afterpiece Title: Raymond and Agnes

Dance: Afterpiece to conclude with: Dance of Savoyards-Platt, Miss Cranfield, Mlle St.Amand

Performances

Mainpiece Title: Concert

Music: A Solo and several Pieces on the French Horn by Mr Charles. And several Songs and Duets by the two Miss Youngs. The German Flute by Mr Pelicour [Balicourt in Daily Advertiser], lately arrived from abroad; Being the first Time of his Performing in England

Performances

Mainpiece Title: Mr Anthony

Performances

Mainpiece Title: Mr Turbulent; Or, The Melanchollicks

Performances

Mainpiece Title: Concert

Music: Mr Abell; having had the Honour lately, to Sing to the Nobility and Gentry of Richmond and the Neighbouring Towns, thinks himself bound in Gratitude...to return his most Humble Thanks with a Performance of New Musick, in English, Latin, Italian, French-Mr Abell; &c....being Honour'd and Accompany'd-the Greatest Masters of Europe

Performances

Mainpiece Title: Concert

Afterpiece Title: Britain's Happiness

Song: Singing in Italian and English-Mrs Tofts

Dance: l'Abbe, duRuel, Cherrier, Mrs Elford, Mrs Campion, Mrs Mayers, Devonshire Girl

Performances

Mainpiece Title: Mad Tom Of Bedlam; Or, The Distress'd Lovers: With The Comical Humours Of squire Numscul

Song: Mr Corse, age 12

Dance: DDutch Skipper-Sandham; Drunken Man-Wilcox; (On 8 Aug. and there after:) Mad Dance, Pierrot-Le Sieur Labisle, from France

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: A New Dance call'd The Hunters-Mas. Clinton, Miss Street, Miss Ford; II: The Faggot Binders-Aldridge, Miss Baker; End Opera: A Dance-Grimaldi, Lauchery, Miss Baker

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: The Sheep Shearers, as17640308 II: The Shepherdesses, as17640113; End Opera: Dance, as17640301

Performances

Mainpiece Title: Sir Courtly Nice

Afterpiece Title: La Guinquette; or, Harlequin Turned Tapster

Dance: An Entertainment of Mimick Dancing, call'd, La Caprice-Harlequin (in Imitation of Mlle Provost, the Famous Dancer in the Opera at Paris)

Performances

Mainpiece Title: The Connoisseur; Or, Every Man In His Folly

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: The Hunters, as17640224; The Faggot Binders, as17640224; End Opera: A Dance, as17640224

Performances

Mainpiece Title: The Royal Shepherd

Dance: II: The Faggot Binders, as17640224; End Opera: A Dance, as17640224

Performances

Mainpiece Title: The Royal Shepherd

Afterpiece Title: Miss in Her Teens

Dance: I: The Sheep Shearers-Lauchery, Miss Baker; II: The Faggot Binders, as17640224; End Opera: A Dance, as17640319

Performances

Mainpiece Title: Timon Of Athens

Related Works
Related Work: Timon of Athens Author(s): Richard Cumberland